Showing posts with label Wong Kar Wai. Show all posts
Showing posts with label Wong Kar Wai. Show all posts
Monday, 7 March 2011
Filming halted on ‘The Grandmasters’, released delayed until Winter 2011?
Sohu Entertainment News are reporting that filming on ‘The Grandmasters’ has stopped and Wong Kar-wai has something else to be busy with. The film has been in preparation for almost 8 years and in production for 2 years, yesterday was rumoured to be coming to a production halt. It had been assumed that the film was near completion and was in the promotional phase. However, this could not be further from the truth.
In the interim its lead actor Tony Leung, who has focused on making and not taken any other role, recently accepted a role in Derek Yee’s ‘The Great Magician’ whilst he waits for ‘The Grandmasters’ to resume.
According to an insider of ‘The Grandmasters’, actress Song Hye-kyo has left the team in December 2010, and she has not returned in January 2011 when filming resumed. According to the staff, Hye-kyo was ‘very gentle’, she has not complained about the shooting delay as what has been rumoured. She did not need to do any kung fu fighting scenes. Though she should be playing an important role, she has only done a small portion of the shooting, so she might need to return to continue shooting later. However, Wong Kar-wai still has no idea how to fit her into the movie. There is a chance that not only Hye-kyo, but some of the other actors/actresses portions will be ‘cut’. All the main roles including the part played by actor Chang Chen, except Hye-kyo have a lot of fighting scenes.
The release date for ‘The Grandmasters’ has repeatedly been delayed, from National Day to Lunar New Year of this year. Thus its goal was to finish by May. Reportedly from the current progress it would have difficulty with its completion. Wong Kar Wai decided to halt the production for Tony Leung to make money first while he could explore new elements before consider when to resume production. For the past two years Tony Leung has decided not to accept any other film roles so that he could focus fully on playing the role of Yip Man. However, it has been decided that he will begin work on ‘The Great Magician’ in the next few weeks and resume filming on ‘The Grandmasters’ at a later date.
http://yule.sohu.com/20110304/n279640686.shtml
Meanwhile The Hollywood Reporter has noted that the film “has been delayed until the fourth quarter.”
http://http//www.hollywoodreporter.com/news/bona-posts-2010-revenue-gain-163845
Saturday, 19 February 2011
Weinstein Company acquires UK & Australian rights to 'The Grandmasters'
Deadline are reporting that The Weinstein Company have snapped up the UK and Australian distribution rights to 'The Grandmasters'.
"The Weinstein Company has closed a deal for United Kingdom and Australian distribution rights to The Grandmasters, the Wong Kar-wai-directed Chinese language martial arts film. Harvey Weinstein is among a small group vying for domestic rights, with Fox Searchlight and Sony Pictures Classics also in the mix. TWC's investment was north of $1 million for the offshore rights. Buyers were shown about 15 minutes of expertly choreographed martial arts footage, and also were given a 5-page synopsis of the film. Distributors are going on faith that the director's vision holds together in a cohesive story. The film is the life story of the martial artist Ip Man, and Tony Leung, Zhang Ziyi and Chang Chen are in the cast. CAA is repping The Grandmasters.
The Grandmasters was one of the hottest titles to be shown to buyers at Berlin, where Megan Ellison's Annapurna Productions became an investor in the film for a rumored $3 million."
http://www.deadline.com/2011/02/berlin-weinstein-co-acquires-uk-australian-rights-on-the-grandmasters-as-u-s-heats-up/
"The Weinstein Company has closed a deal for United Kingdom and Australian distribution rights to The Grandmasters, the Wong Kar-wai-directed Chinese language martial arts film. Harvey Weinstein is among a small group vying for domestic rights, with Fox Searchlight and Sony Pictures Classics also in the mix. TWC's investment was north of $1 million for the offshore rights. Buyers were shown about 15 minutes of expertly choreographed martial arts footage, and also were given a 5-page synopsis of the film. Distributors are going on faith that the director's vision holds together in a cohesive story. The film is the life story of the martial artist Ip Man, and Tony Leung, Zhang Ziyi and Chang Chen are in the cast. CAA is repping The Grandmasters.
The Grandmasters was one of the hottest titles to be shown to buyers at Berlin, where Megan Ellison's Annapurna Productions became an investor in the film for a rumored $3 million."
http://www.deadline.com/2011/02/berlin-weinstein-co-acquires-uk-australian-rights-on-the-grandmasters-as-u-s-heats-up/
Tuesday, 15 February 2011
Heiress Megan Ellison set to acquire rights to ‘The Grandmasters’
According to the Hollywood Reporter, heiress Megan Ellison's Annapurna Productions is reportedly in final talks to pick up North American rights to Wong Kar-Wai‘s martial arts epic “The Grandmasters” which stars Tony Leung, Zhang Ziyi and Chang Chen and follows the story of artist Ip Man, best known as the mentor of Bruce Lee.
"Ellison is in final negotiations to pick up the rights and to make a significant financial commitment to the movie and its marketing. The plan is for Ellison and Wong to partner with a distributor in the coming months.
Grandmasters, starring Tony Leung, Zhang Ziyi and Chang Chen, is a biopic of famed martial artist Ip Man, who practiced the art of Wing Chun and is best known as the man who taught Bruce Lee. Action sequences were choreographed by Yeun Woo-ping
The movie is still in production but Wong took a break from filming to trek to Berlin, privately showing buyers footage from his epic Friday. (Wild Bunch is selling the film internationally while CAA is handling domestic.)
Ellison, who did not attend Berlin, practiced her own Wing Chun in Berlin to sweep the legs from under Weinstein Co., Fox Searchlight, Sony Pictures Classics and Focus Features, who were in the mix to nab the rights as well.
Wong was won over by Ellison's personal touch and personal commitment to him and the film, which is being bought off of 10 minutes of footage. With the deal that steps off the beaten parth, Wong will now also be partnered with a financier who will have more at stake than a more traditional company.
Annapurna has been making surgical moves to be involved with top talent as the company makes a name for itself as a producer and financier. Ellison was an exec producer on True Grit, and is a producer on The Wettest Country in the World, the Shia LaBeouf-Tom Hardy crime drama selling at EFM.
She recently partnered with Mark Boal and Management 360 to option The Boy Who Kicked the Hornet's Nest, a New York Times Magazine article on WikiLeaks founder Julian Assange.
Annapurna and Wong are repped by CAA."
http://www.hollywoodreporter.com/news/berlin-annapurna-productions-takes-wong-99620
Saturday, 12 February 2011
The Grandmasters Generating Heat in Berlin
According to the Hollywood Reporter, the Weinstein Company, Fox Searchlight and and Sony Pictures Classics are among those interested in Wong Kar-wai’s martial arts movie 'The Grandmasters'. Also it seems that the film may still be shooting.
"One of the films to watch in Berlin is The Grandmasters, Hong Kong auteur Wong Kar Wai's sumptuous telling of the tale of martial arts legend Ip Man.
The story has previously been told in films like Ip Man and Ip Man 2, but Kar Wai, director of Chungking Express and My Blueberry Nights, is generating buzz because the project is his first action movie.
Kar Wai took a break from filming to trek to Berlin, privately showing buyers footage from his epic.
Among those showing strong interest, according to insiders, were execs from Weinstein Co., Fox Searchlight and Sony Pictures Classics. Focus Features is likely in the mix as well.
Wild Bunch is selling international while CAA handles domestic.
The $25 million Chinese-language film might seem to be a tough sell in the U.S., for the mere fact that it isn't in English. Then again, that didn't stop Crouching Tiger, Hidden Dragon from crossing over from art house fare to becoming a major North American box office hit as well as a multiple Oscar winner.
Grandmasters stars Tony Leung, Zhang Ziyi and Chang Chen. Action sequences were choreographed by Yeun Woo-ping."
Courtesy of the Hollywood Reporter: http://www.hollywoodreporter.com/blogs/heat-vision/martial-arts-epic-grandmasters-generating-98791
"One of the films to watch in Berlin is The Grandmasters, Hong Kong auteur Wong Kar Wai's sumptuous telling of the tale of martial arts legend Ip Man.
The story has previously been told in films like Ip Man and Ip Man 2, but Kar Wai, director of Chungking Express and My Blueberry Nights, is generating buzz because the project is his first action movie.
Kar Wai took a break from filming to trek to Berlin, privately showing buyers footage from his epic.
Among those showing strong interest, according to insiders, were execs from Weinstein Co., Fox Searchlight and Sony Pictures Classics. Focus Features is likely in the mix as well.
Wild Bunch is selling international while CAA handles domestic.
The $25 million Chinese-language film might seem to be a tough sell in the U.S., for the mere fact that it isn't in English. Then again, that didn't stop Crouching Tiger, Hidden Dragon from crossing over from art house fare to becoming a major North American box office hit as well as a multiple Oscar winner.
Grandmasters stars Tony Leung, Zhang Ziyi and Chang Chen. Action sequences were choreographed by Yeun Woo-ping."
Courtesy of the Hollywood Reporter: http://www.hollywoodreporter.com/blogs/heat-vision/martial-arts-epic-grandmasters-generating-98791
Saturday, 29 January 2011
Five films by Wong Kar-wai named in Greatest Chinese Films poll
The Taipei Golden Horse Film Festival has announced the results of its survey of the "100 Greatest Chinese-Language Films". 122 industry professionals took part in the survey, including film scholars, festival programmers, film directors, actors and producers.
With 73 votes, Hou Hsiao-hsien's 'A City of Sadness' topped the poll. Edward Yang's 'A Brighter Summer Day' came a close second.
Wong Kar-wai was Hong Kong's most recognised director with five slots headed by 'Days of Being Wild' in 4th place. The other films by Wong Kar-wai in the list are 'In The Mood For Love' (joint 9th), 'ChungKing Express' (21st), 'Happy Together' (26th), and 'Ashes Of Time' (joint 50th)
Top 10:
1 A City of Sadness; dir. Hou Hsiao-hsien
2 A Brighter Summer Day; dir. Edward Yang
3 A Time to Live and a Time to Die; dir. Hou Hsiao-hsien
4 Days of Being Wild; dir. Wong Kar-wai
5 Spring in a Small Town; dir. Fei Mu
6 Crouching Tiger, Hidden Dragon; dir. Ang Lee
7 Yi Yi: A One and a Two; dir. Edward Yang
8 Dust in the Wind; dir. Hou Hsiao-hsien
9= Dragon Inn; dir. King Hu
9= In the Mood for Love; dir. Wong Kar-wai
http://www.filmbiz.asia/news/horse-announces-greatest-chinese-films
With 73 votes, Hou Hsiao-hsien's 'A City of Sadness' topped the poll. Edward Yang's 'A Brighter Summer Day' came a close second.
Wong Kar-wai was Hong Kong's most recognised director with five slots headed by 'Days of Being Wild' in 4th place. The other films by Wong Kar-wai in the list are 'In The Mood For Love' (joint 9th), 'ChungKing Express' (21st), 'Happy Together' (26th), and 'Ashes Of Time' (joint 50th)
Top 10:
1 A City of Sadness; dir. Hou Hsiao-hsien
2 A Brighter Summer Day; dir. Edward Yang
3 A Time to Live and a Time to Die; dir. Hou Hsiao-hsien
4 Days of Being Wild; dir. Wong Kar-wai
5 Spring in a Small Town; dir. Fei Mu
6 Crouching Tiger, Hidden Dragon; dir. Ang Lee
7 Yi Yi: A One and a Two; dir. Edward Yang
8 Dust in the Wind; dir. Hou Hsiao-hsien
9= Dragon Inn; dir. King Hu
9= In the Mood for Love; dir. Wong Kar-wai
http://www.filmbiz.asia/news/horse-announces-greatest-chinese-films
Tony Leung's stunt double in The Grandmasters
Tony Leung's stunt double in the Yip Man biopic 'The Grandmasters' is Henry Araneda, an Applied Wing Chun master based in Melbourne. He posted some photos of him on his website with Tony Leung, director Wong Kar-wai, action director Yuen Woo-Ping and MMA fighter Cung Le (who he shares a fight scene with).
http://www.ultimatemartialarts.com.au/en/Home/tabid/38/EntryId/10/Wong-Kar-Wais-The-Grandmasters-and-SiFu-as-Stunt-Double-for-Tony-Leung.aspx
http://www.ultimatemartialarts.com.au/en/Home/tabid/38/EntryId/10/Wong-Kar-Wais-The-Grandmasters-and-SiFu-as-Stunt-Double-for-Tony-Leung.aspx
Friday, 31 December 2010
The Grandmasters Press Conference and Teaser Trailer
Director Wong Kar-wai and cast members of The Grandmasters appeared at a special press conference held in Beijing on December 28th.
The event was for the 60th anniversary of Sil-Metropole Organisation Ltd, one of the film's production companies.
Most of the attention went to the cast of The Grandmasters, including Tony Leung Chiu-wai, Zhang Ziyi, Chang Chen, Zhao Benshan, Song Hye-kyo, Xiao Shenyang and Wang Qingxiang, who rushed from the Guangdong set. The team presented an oil painting poster to the company.
The event showed a promotional reel for The Grandmasters but it did not include any actual footage from the film. Host Zhang Guoli joked that this trailer was mysterious enough, after such a long shoot the trailer had no scenes at all.
Then actors Leung Chiu-wai, Zhang Ziyi, Chang Chen, Song Hye-Kyo, Zhao Benshan, Xiao Shenyang, Wang Qingxiang appeared on stage.
Speaking of the fight scenes, Tony Leung said that he was not worried as he practiced for a long time. He practiced so much that his arm was broken at the hands of his Wing Chun teacher. Zhang Guoli joked that the scene of Tony Leung's arm being broken was not preserved, which truly was a regret for Chinese film because it was worth a lot of money. The fight scene in the rain he said was very difficult and took 30 days to shoot. Zhang Guoli joked that it only took 30 days, someone had to thank Wong Kar-wai as normally it might take 3 months.
Zhang Ziyi plays a martial art expert in the film, Zhang Guoli praised her eight diagram palm technique in the snow scene, saying it was very pretty. Zhang Ziyi said that this scene was shot last winter. At the time, the crew joked that this shoot would not be completed as they predicted whether or not they would have to shoot it again next year. Surprisingly they were right. She recalled the 30 degree below zero (Celsius) shooting environment as truly tough.
Chang Chen plays an eight diagram expert in the film. For the film, he trained for two years but the training benefited him a lot and his health improved.
Song Hye-kyo plays Yip Man's (Tony Leung) wife in the film, but they did not stand together on the stage. She joked that they (she and Tony) were together everyday during filming so they didn't have to stand together now. Zhang Guoli said that this was understandable to avoid suspicion from Tony Leung's wife (Carina Lau). This was Song Hye-kyo's first film shooting in China and she was truly pleased to be able to work with a group of such great actors. She thanked director Wong Kar-wai for his help, because at first she was not too used to his style of directing. Director Wong helped her a lot.
Wong Kar Wai appeared in the end to pose for a group photo with the cast.
Host Zhang Guoli asked Tony Leung to make a kung fu pose but Tony only had his hands in his pockets and played cool. He explained that he was dressed modernly so he posed with his hands in his pockets in front of the poster.
The actors finally sang a birthday song to celebrate Sil-Metropole's 60th year, but they looked somewhat embarrassed.
Video: http://www.tudou.com/programs/view/1pJ4zaNwui8/
http://ent.sina.com.cn/m/c/2010-12-28/23443191325.shtml?from=nominated
http://ent.qq.com/a/20101229/000025.htm#p=7
After two days promoting The Grandmasters in Beijing, Tony Leung returned to Hong Kong. Reporters asked him about the filming schedule and he revealed that he will return to the Mainland later to continue the shoot. He has been shooting more than 10 hours a day, most likely with no time off during the new year. He thinks they will finish around the Lunar New Year (February).
Tony was in good spirits and full of smiles. He said, "Maybe it's because of this Grandmaster hair cut." His earlier injury has now basically healed, but during action scenes he would be even more cautious as he did not want to be injured again.
According to news in Hong Kong, initially the investors wanted 'The Grandmasters' to be released in the Lunar New Year period (early February), but now they are saying that the film will be in Chinese theaters during Easter.
http://news.sina.com.tw/article/20101230/4076088.html
Teaser Trailer:
Translation of the text in the trailer:
"Their valor is transmitted by men of chivalry, accurately recorded by the brushes of history that begin to flow into myriads of seas, and due to the dao, the fortunes of their affection are long, and the elements once a generation bear witness to the masters."
http://www.youtube.com/watch?v=OnlUQjUn-8o&feature=player_embedded
Thursday, 4 November 2010
The Grandmasters news round-up
New pic via ScreenDaily:
French sales house Wild Bunch has picked up international rights to two of the biggest Chinese-language films of the year.
With the American Film Market starting tomorrow (3 Nov 2010) the company has picked up the upcoming martial arts film The Grandmasters (一代宗師), by Hong Kong auteur Wong Kar-wai (王家衛). It has also secured Under The Hawthorn Tree (山楂樹之戀), the romantic drama by Zhang Yimou (張藝謀) that has been a hit on home turf in China and was set as the opening film at the Pusan and Hawaii film festivals.
The greater surprise is the pickup of Grandmasters. As is typical of Wong, the film has been carefully shrouded in secrecy. But this time, as the film was independently financed without recourse to a minimum guarantee from a sales company, or territory pre-sales, producers at Wong's Jet Tone Films (澤東製作有限公司) have been able to keep buyers and audiences guessing. Many of Wong previous movies were represented by Hong Kong and Amsterdam-based Fortissimo Films.
A period piece, Wong's film is the fourth in a recent string of pictures about Ip Man (葉問), the legendary martial artist who taught Bruce Lee (李小龍). It has been tentatively positioned for release at Chinese New Year in late-Jan or early-Feb 2011. However, other recent press reports suggest that shooting will continue in early 2011.
Wild Bunch, which has rights outside Asia, says it will provide buyers with a synopsis and screen a 2-minute promo reel at its booth. But the company did not confirm the delivery date.
Partial rights in much of South East Asia were previously picked up by Hong Kong-based film and pan-regional broadcast group Mei Ah Entertainment. In Hong Kong itself Mei Ah has TV and home entertainment rights, while one of the film's investors SIL-Metropole will oversee theatrical.
Consecutive with the Wild Bunch pickup is a change in title, from The Grand Master to The Grandmasters, the announcement of tagline "in martial arts there is no right or wrong, only the last man standing" and the release of two poster images.
One, in near monochrome, highlights the powerful combination of Wong, Yuen Woo-ping (袁和平) as action choreographer and its stars Tony Leung Chiu-wai (梁朝偉) and Zhang Ziyi (章子怡).
http://www.filmbiz.asia/news/wongs-grandmasters-joins-wild-bunchTony Leung spotted jogging and Song Hye-kyo spotted playing badminton in between filming:
http://ent.sina.com.cn/m/c/2010-11-03/09213134461.shtml
A better look at Zhang Ziyi's character in the film, fighting at the side of the railroad tracks. (Click to enlarge)
The film has been tentatively positioned for release at Chinese New Year in late-Jan or early-Feb 2011. However, other recent press reports suggest that shooting will continue in early 2011.
Fortissimo, Wong Kar Wai's Jet Tone Expand Relationship
Fortissimo chairman Michael Werner will associate produce 'Grandmaster,' with the company also handling the Jet Tone library.
Fortissimo Films and Wong Kar Wai's Jet Tone Films have expanded their relationship around the upcoming title The Grandmaster and Jet Tone's library, Fortissimo chairman Michael Werner and Jet Tone's Jacky Pang Yee Wah said at the American Film Market on Wednesday.
Werner will associate produce Grandmaster, the film starring Zhang Ziyi (Memoirs of a Geisha), Tony Leung Chiu Wai (Lust, Caution) and Chang Chen (Red Cliff), and Fortissimo will handle sales in select territories retained by Jet Tone Film including Japan, South Korea and India.
Werner will work closely with producer Pang to advise on the marketing and release strategy for the film around the world.
Fortissimo also will handle the Jet Tone Films library, including titles such as Wong Kar Wai's Chungking Express, Fallen Angels and Ashes of Time Redux.
From the set of Block 2 Pictures and Sil Metropole Organization presentation last week, Werner observed Wong has built Grandmasters around "one of the most exciting sets and fighting sequences that I have ever seen."
Fortissimo and Jet Tone have worked together more than 20 years and Pang said of Werner: "We have always seen Michael as a member of our team and we are very happy to have him physically on board Grandmaster utilizing his background and knowledge of Asian cinema and his expertise in international sales, marketing and distribution."
Chan Ye Cheng and Song Dai are executive producers, while Philippe Le Sourd is shooting the film with action choreography from Yuen Wo Ping and production design by William Chang Suk Ping.
http://www.hollywoodreporter.com/news/fortissimo-wong-kar-wais-jet-35435
Werner will associate produce Grandmaster, the film starring Zhang Ziyi (Memoirs of a Geisha), Tony Leung Chiu Wai (Lust, Caution) and Chang Chen (Red Cliff), and Fortissimo will handle sales in select territories retained by Jet Tone Film including Japan, South Korea and India.
Werner will work closely with producer Pang to advise on the marketing and release strategy for the film around the world.
Fortissimo also will handle the Jet Tone Films library, including titles such as Wong Kar Wai's Chungking Express, Fallen Angels and Ashes of Time Redux.
From the set of Block 2 Pictures and Sil Metropole Organization presentation last week, Werner observed Wong has built Grandmasters around "one of the most exciting sets and fighting sequences that I have ever seen."
Fortissimo and Jet Tone have worked together more than 20 years and Pang said of Werner: "We have always seen Michael as a member of our team and we are very happy to have him physically on board Grandmaster utilizing his background and knowledge of Asian cinema and his expertise in international sales, marketing and distribution."
Chan Ye Cheng and Song Dai are executive producers, while Philippe Le Sourd is shooting the film with action choreography from Yuen Wo Ping and production design by William Chang Suk Ping.
http://www.hollywoodreporter.com/news/fortissimo-wong-kar-wais-jet-35435
French sales house Wild Bunch has picked up international rights to two of the biggest Chinese-language films of the year.
With the American Film Market starting tomorrow (3 Nov 2010) the company has picked up the upcoming martial arts film The Grandmasters (一代宗師), by Hong Kong auteur Wong Kar-wai (王家衛). It has also secured Under The Hawthorn Tree (山楂樹之戀), the romantic drama by Zhang Yimou (張藝謀) that has been a hit on home turf in China and was set as the opening film at the Pusan and Hawaii film festivals.
The greater surprise is the pickup of Grandmasters. As is typical of Wong, the film has been carefully shrouded in secrecy. But this time, as the film was independently financed without recourse to a minimum guarantee from a sales company, or territory pre-sales, producers at Wong's Jet Tone Films (澤東製作有限公司) have been able to keep buyers and audiences guessing. Many of Wong previous movies were represented by Hong Kong and Amsterdam-based Fortissimo Films.
A period piece, Wong's film is the fourth in a recent string of pictures about Ip Man (葉問), the legendary martial artist who taught Bruce Lee (李小龍). It has been tentatively positioned for release at Chinese New Year in late-Jan or early-Feb 2011. However, other recent press reports suggest that shooting will continue in early 2011.
Wild Bunch, which has rights outside Asia, says it will provide buyers with a synopsis and screen a 2-minute promo reel at its booth. But the company did not confirm the delivery date.
Partial rights in much of South East Asia were previously picked up by Hong Kong-based film and pan-regional broadcast group Mei Ah Entertainment. In Hong Kong itself Mei Ah has TV and home entertainment rights, while one of the film's investors SIL-Metropole will oversee theatrical.
Consecutive with the Wild Bunch pickup is a change in title, from The Grand Master to The Grandmasters, the announcement of tagline "in martial arts there is no right or wrong, only the last man standing" and the release of two poster images.
One, in near monochrome, highlights the powerful combination of Wong, Yuen Woo-ping (袁和平) as action choreographer and its stars Tony Leung Chiu-wai (梁朝偉) and Zhang Ziyi (章子怡).
http://www.filmbiz.asia/news/wongs-grandmasters-joins-wild-bunch
http://ent.sina.com.cn/m/c/2010-11-03/09213134461.shtml
A better look at Zhang Ziyi's character in the film, fighting at the side of the railroad tracks. (Click to enlarge)
The film has been tentatively positioned for release at Chinese New Year in late-Jan or early-Feb 2011. However, other recent press reports suggest that shooting will continue in early 2011.
Monday, 1 November 2010
The Grandmasters plot synopsis revealed
The Grandmasters press release via the American Film Market:
Cast:Tony, Chiu-wai LEUNG, Zi-yi ZHANG, Chen CHANG, Hye-kyo SONG, Ben-shan ZHAO, Xing-chang WANG
Director:Kar-wai WONG
Producers:Kar-wai WONG, Jacky PANG
Synopsis:
http://www.heyuguys.co.uk/2010/11/02/casting-news-first-images-and-a-plot-synopsis-for-wong-kar-wai%E2%80%99s-the-grandmasters/
Official Facebook page: http://www.facebook.com/pages/The-Grandmasters/
If this synopsis is accurate then it sounds like the plot is fictitious rather than based on fact.
Cast:Tony, Chiu-wai LEUNG, Zi-yi ZHANG, Chen CHANG, Hye-kyo SONG, Ben-shan ZHAO, Xing-chang WANG
Director:Kar-wai WONG
Producers:Kar-wai WONG, Jacky PANG
Synopsis:
With martial arts getting more popular in the Thirties, more people seek to learn them via the professionals at Foshan in Southern China. Some of the experienced masters like to challenge their counterparts and undergoing battles. To have their whole concentration, it is their practice to lock up the venues and no one is allowed to leave during battles. No food and no rest before reaching any results.http://www.thefilmcatalogue.com/catalog/FilmDetail.php?id=10435
Ip Man is a young rich man extremely talented in martial arts, but he chooses to keep a low profile. Yet this doesn't keep him out of these troubles ahead. One day he is trapped in this battleground so he has to use every means in order to get out of there. The masters are amazed by his abilities. Master Kung and his daughter Kung Yi are amongst, and the latter is attracted to this newcomer.
A high warlord is assassinated by his own guard Yi Xian Tian. All masters in Foshan vow to take Tian down no matter what....
http://www.heyuguys.co.uk/2010/11/02/casting-news-first-images-and-a-plot-synopsis-for-wong-kar-wai%E2%80%99s-the-grandmasters/
Official Facebook page: http://www.facebook.com/pages/The-Grandmasters/
If this synopsis is accurate then it sounds like the plot is fictitious rather than based on fact.
The Grandmasters sales art
Movielicious has sales artwork for Wong Kar-wai's biopic of Yip Man, now titled The Grandmasters.
The posters appeared at the American Film Market (AFM) in Los Angeles.
http://www.chongweikk.com/2010/11/two-official-promo-images-for-wong-kar.html
http://twitchfilm.com/news/2010/10/official-sales-art-for-wong-kar-waies-the-grandmasters.php
Hi-res pics: http://slide.ent.sina.com.cn/slide_4_704_15257.html
UPDATED:
Wong Kar-wai's first kung fu film The Grandmasters (Yut Doi Jung Si) is still in production. The film company has kept cast costumes and content confidential. The first two film posters were unveiled at Los Angeles' American Film Market on November 1. The costumes of Tony Leung Chiu-wai who played Wing Chun master Yip Man in the film and lead actress Zhang Ziyi appeared for the first time and immediately became the focus of the foreign media.
In it Tony Leung wears a white straw hat and long black coat in the night rain. The foreign media were very interested in his look and even described it as the birth of a Chinese Dark Knight (Batman). In another promo image, Zhang Ziyi is in the midst of using Ba Gua Zhang (the eight diagram palm technique) - her eyes were full of self confidence. Foreign media pointed out that in a white straw hat, Yip Man was completely different from the image of Yip Man that has appeared in films before. Everyone was the most surprised that without any kung fu background Tony Leung actually had unspeakable kung fu power.
Wong Kar Wai fans could not wait to put the poster online and received a lot of responses. Some online even compared Tony Leung's Yip Man look and Zhang Ziyi's heroine feel with classic American comic book super heroes, saying that the U.S. had Superman, Spider-Man, Iron Man, Catwoman, Yip Man in the poster definitely was China's super hero. Some even suggested making Yip Man's English name into "Yeah Man" in order to be a part of this group of super heroes.
Since the film started production, everyone has been the most curious about Tony Leung abilities. After a year of training, his figure could be seen on the poster for the first time. Even foreign media described him as looking radiant. The film's action director Yuen Woo-ping even described Tony's current condition as "the peak". He said that he never worried about his agility because Tony had a high ability to comprehend and absorb quickly. Although he and Donnie Yen played the same character but they each had their own style. He greatly praised Tony's current status for the film's action scenes. "I never worried about him," he says, "Talking about body figures, Tony looks better than Donnie Yen. It is unbelievable that there is strength in Tony's kicks. He does have the potential to film action films."
Tony Leung in the past year suffered a lot too. Responsible for instructing, Wing Chun Grand Master Yip Man's disciple Duncan Leung Siu Hung admired Tony's spirit to overcome hardship. He pointed out that Tony's progress was slower than the average student, half a year more than expected. During the period he stopped training for awhile due to his arm injury. However he recovered and returned to form very quickly. Unlike Donnie Yen who had a kung fu background, Tony Leung had an advantage that Donnie Yen did not have. He was able to start from zero like a blank piece of paper. Tony gradually and clearly absorbed the spirit of Wing Chun kung fu completely. Every one of his moves now is very naturally convincing, whether punching or with a staff he was able to perform the Wing Chun school feel. He also pointed out that director Wong Kar-wai at first asked Tony to truly spend time to train and made him understand that slow and steady wins the race.
Saturday, 30 October 2010
MMA fighter Cung Le appearing in The Grand Master
Vietnamese mixed martial artist Cung Le will be appearing in The Grand Master.
Earlier this month the former Strikeforce Middleweight Champion spoke of the possibility of working with director Wong Kar-wai:
On 25th October Cung Le tweeted:
The Garv relayed an e-mail received from the MMA fighter:
The mixed martial artist and actor has had supporting roles in Pandorum, Fighting, Bodyguards and Assassins and True Legend.
Earlier this month the former Strikeforce Middleweight Champion spoke of the possibility of working with director Wong Kar-wai:
Any additional Hollywood plans at the moment?http://thegarv.com/Cung-Le-speaks-on-future-and-current-movie-roles.html
CL: I just got an offer to go to China before this shoot, and they’re willing to work around my schedule, to work with the famous director Wong Kar Wai. He’s a pioneer, and a very interesting artist.
On 25th October Cung Le tweeted:
"At San Fran International airport waiting to leave to Hong Kong. Get to work with Wong Kar Wai and Master Woo-ping at the same time! UsH!"http://twitter.com/CungLe185
The Garv relayed an e-mail received from the MMA fighter:
"I am in China right now filming a movie with Director Wong Kar Wai and Action Director Woo-ping for a few weeks and will be back in the states on Nov. 7th to start Dragon Eyes a Joel Silver and After Dark production for seven weeks in New Orleans. I go back to China after Christmas to finish Grandmaster with Wong Kar Wai and Master Woo-ping for a week or two."http://thegarv.com/Cung-Le-Speaks-on-Future-and-Current-Movie-Roles.html
The mixed martial artist and actor has had supporting roles in Pandorum, Fighting, Bodyguards and Assassins and True Legend.
Labels:
Casting,
Cung Le,
News,
The Grand Master,
Wong Kar Wai
Friday, 29 October 2010
Song Hye Kyo meeting with Wong Kar-wai, confirmed to be playing Yip Man's wife
Actress Song Hye-kyo met with director Wong Kar-wai on 19th October 2010 to discuss the progress of filming The Grand Master. Paparazzi managed to film the secret meeting and were able to capture exclusive images of reference photos shot for the film.
The first photo on the right is Song Hye-kyo with Zhang Ziyi (wearing a man's suit).
The other one is Hye-kyo, Tony Leung (as Yip Man) and the actor playing their son. This pretty much confirms that Song Hye-kyo is playing Yip Man's wife.
Wong Kar-wai began reshoots of the film starting in mid-September.
Credit: wloi @ Soompi.com
See the video shot by the paparazzi at the following link:
http://hk.sw.nextmedia.com/template/sw/art_main.php?iss_id=796&sec_id=1000863&art_id=14602421
UPDATE: Larger scans added (click to enlarge).
The first photo on the right is Song Hye-kyo with Zhang Ziyi (wearing a man's suit).
The other one is Hye-kyo, Tony Leung (as Yip Man) and the actor playing their son. This pretty much confirms that Song Hye-kyo is playing Yip Man's wife.
Wong Kar-wai began reshoots of the film starting in mid-September.
Credit: wloi @ Soompi.com
See the video shot by the paparazzi at the following link:
http://hk.sw.nextmedia.com/template/sw/art_main.php?iss_id=796&sec_id=1000863&art_id=14602421
UPDATE: Larger scans added (click to enlarge).
Wednesday, 29 September 2010
The Grand Master poster is a fake
It's being reported in the Hong Kong press that this artwork purporting to be a real poster promoting Wong Kar-wai's The Grand Master is in fact a fake created by fans impatient for the filmmakers to release an official one.
http://yule.sohu.com/20100928/n275319717.shtml
http://yule.sohu.com/20100928/n275319717.shtml
Monday, 27 September 2010
The Grand Master undergoing reshoots?
With the release of a promotional poster for The Grand Master it was expected that the film would be finished sooner rather than later.
However, a person purporting to be a crew member on the film has been tweeting messages on their Weibo account (Asian version of Twitter) which suggests otherwise. According to the staff member, they have recently been shooting scenes with both Tony Leung and Song Hye-kyo in a secret location in Guangzhou.
They were shooting past 4 a.m. as the child that Hye-kyo has been carrying was crying non-stop, and they needed to re-shoot it many times.
A photo of the meal schedule for the 21st of September for The Grand Master crew:
Breakfast: 06:30-08:00
Lunch: 12:00-14:00
Supper: 18:00-20:00
If the report of reshooting is true then it would certainly push back the intended release date for the Lunar New Year, making a Cannes 2011 premiere more likely. Director Wong Kar-wai has a habit of reshooting scenes as he spent three days re-shooting the final kiss in My Blueberry Nights.
Song Hye-kyo is scheduled to begin work on a new film (directed by Lee Jeong-hyang) in October.
However, Tony Leung won't start work on his next film (directed by Derek Yee) February of next year.
http://t.sina.com.cn/1527186771
http://tieba.baidu.com/f?kz=897058853
Credit: wloi @ soompi.com
UPDATE: They were filming in Chikan Movie and Television City.
However, a person purporting to be a crew member on the film has been tweeting messages on their Weibo account (Asian version of Twitter) which suggests otherwise. According to the staff member, they have recently been shooting scenes with both Tony Leung and Song Hye-kyo in a secret location in Guangzhou.
They were shooting past 4 a.m. as the child that Hye-kyo has been carrying was crying non-stop, and they needed to re-shoot it many times.
A photo of the meal schedule for the 21st of September for The Grand Master crew:
Breakfast: 06:30-08:00
Lunch: 12:00-14:00
Supper: 18:00-20:00
If the report of reshooting is true then it would certainly push back the intended release date for the Lunar New Year, making a Cannes 2011 premiere more likely. Director Wong Kar-wai has a habit of reshooting scenes as he spent three days re-shooting the final kiss in My Blueberry Nights.
Song Hye-kyo is scheduled to begin work on a new film (directed by Lee Jeong-hyang) in October.
However, Tony Leung won't start work on his next film (directed by Derek Yee) February of next year.
http://t.sina.com.cn/1527186771
http://tieba.baidu.com/f?kz=897058853
Credit: wloi @ soompi.com
UPDATE: They were filming in Chikan Movie and Television City.
Saturday, 25 September 2010
Carina Lau challenges The Grand Master
At a promotional press conference for Jiang Wen's film Let The Bullets Fly, actress Carina Lau predicted that this film would be this year's Mainland box office champion.
Without any fear of her husband Tony Leung's holiday film The Grand Master (Yut Doi Jung Si), Carina said, "I am very willing to defeat him!"
A reporter asked her to predict the box office of Let The Bullets Fly. Carina confidently said, "Definitely this year's best." What if The Grand Master made the holiday slot? "First, I felt The Grand Master wouldn't make it. Wong Kar-wai's film production is truly too slow. Even if it would make it, I would be very glad to defeat them. I believe Wong Kar-wai would gladly watch the character that I create to be very successful."
http://news.xinmin.cn/rollnews/2010/09/18/6905122.html
Wednesday, 22 September 2010
Teaser Poster for The Grand Master
Teaser poster artwork for The Grand Master directed by Wong Kar-wai.
Currently scheduled for a December 2010 release in Hong Kong and mainland China.
http://twitchfilm.net/news/2010/09/poster-art-for-wong-kar-wais-the-grand-master.php
Monday, 20 September 2010
Tony Leung talks about The Grand Master at a Cartier event
Tony Leung attended a Cartier event in Shanghai.
Lately busy with the Wong Kar-Wai directed The Grand Master (Yut Doi Jung Si), Tony said, "Before the shoot, I have already begun to study Wing Chun. The production has been rather tough, I was also injured and hindered the progress." Did he fall for Wing Chun because of it? Tony honestly said "No, my favorite is still running!"
http://eladies.sina.com.cn/news/p/2010/0920/07171019340.shtml
Tuesday, 24 August 2010
Bruce Leung Siu Lung to appear in The Grand Master
Martial arts actor Bruce Leung Siu-lung aka Bruce Liang (Gallants, Kung Fu Hustle) confirmed in an interview that he would be starring in The Grand Master.
CSB: You’ve done a lot of comedies since your comeback. Do you want to tackle some more dramatic roles?
Bruce Leung: Since Kung Fu Hustle, I’ve actually done 12 or 13 films in all different genres, not just comedies. I’m actually going to go to Shanghai to shoot a film with Chow Yun-Fat that does not require me to do any martial arts. And there is another one with Tony Leung Chiu-Wai. I will also be in Wong Kar-Wai’s movie about Ip Man, playing one of the masters.
http://www.cinemastrikesback.com/?p=2681
Wednesday, 21 July 2010
Song Hye Kyo on a Taiwanese talk show
In a recent appearance on a talk show in Taiwan, actress Song Hye Kyo discussed some recent events in her life, saying she has been filming for Wong Kar Wai’s The Grand Master (一代宗師). “I’m putting in a lot of effort and always learning new things on the scene.” She also added, “It’s not easy, but I get a lot of help from people around me.”Song plays the lead role The Grand Master (一代宗師), directed by auteur-director Wong Kar Wai, and is currently busy filming alongside such renowned actors as Tony Leung, Zhang Ziyi, and Chang Chen.
http://en.korea.com/blog/enter/movie/song-hye-kyo-on-a-talk-show-in-taiwan-keeps-remains-silent-about-hyun-bin/
http://www.tvdaily.co.kr/read.php3?aid=127951718773996002
http://en.korea.com/blog/enter/movie/song-hye-kyo-on-a-talk-show-in-taiwan-keeps-remains-silent-about-hyun-bin/
http://www.tvdaily.co.kr/read.php3?aid=127951718773996002
Thursday, 8 July 2010
Norah Jones on My Blueberry Nights
Norah Jones has a small role in upcoming film 'Wah Do Dem'.
She talks a bit about starring in My Blueberry Nights in an interview with The AV Club:
AVC: The reception for My Blueberry Nights was pretty rough, and some of the reviews singled you out for your inexperience. Did you have any sort of trepidation about going in front of the camera again?
NJ: No, I don’t. I think I did what I was supposed to do in that film, because the director… There was nothing to prepare for. There was really no script to prepare with. He instructed me very explicitly to not take acting lessons. He likes to place his actors or whoever they are, whether they’re actors or not—you know, whether I was good or bad, or whether people liked it or not, I had a great time. I love film, and I would love to be a part of something that people universally love as a piece of film. Sure. Of course I would. And I would love to take acting lessons, and see that side of it someday. But I’m a musician. These two films I’ve done, I’ve done because even though they’re very different, they’re kind of loose and they seemed interesting. I felt like they were just another way to be creative, both at times in my life and career where I’ve been a little burnt out on doing what I do. So they both kind of have had a similar placement for me.
AVC: I’ll be honest, it’s not one of my favorite Wong Kar-wai movies.
NJ: Oh, mine either! [Laughs.] You know, whatever. [Laughs.]
AVC: Wong was clearly working out of his element, and without a lot of his regular collaborators.
NJ: Exactly. And I think for him, the language barrier—he speaks great English, but I think things are always more poetic on subtitles, so… [Laughs.] But I still loved making the film. I loved working with him. And I also loved, just visually his films are so beautiful. That one was no exception. And that was just really fun.
AVC: And whatever else, you get to—
NJ: I get to be pretty. If you’re a female and you get asked by someone who shoots the most beautiful female scenes to be in their film, it’s kind of exciting. [Laughs.] You know? I don’t usually look good like that, so—
AVC: There’s a lot of anticipation for all Wong Kar-wai’s movies, and that inevitably leads to disappointment sometimes.
NJ: He just has such a cult following. And I think, of course, if he’s going to make a movie in America with some famous movie stars, he’s going to get jumped on no matter what. It was great, though. It was really fun. I mean, some of the actors I got to work with, that was a great acting lesson right there. Watching them take what they were given, which was probably not traditional for what they do either. Even though I was out of my element, I felt like everyone kind of was in that film, which made it interesting from my perspective.
http://www.avclub.com/articles/norah-jones,42847/
She talks a bit about starring in My Blueberry Nights in an interview with The AV Club:
AVC: The reception for My Blueberry Nights was pretty rough, and some of the reviews singled you out for your inexperience. Did you have any sort of trepidation about going in front of the camera again?
NJ: No, I don’t. I think I did what I was supposed to do in that film, because the director… There was nothing to prepare for. There was really no script to prepare with. He instructed me very explicitly to not take acting lessons. He likes to place his actors or whoever they are, whether they’re actors or not—you know, whether I was good or bad, or whether people liked it or not, I had a great time. I love film, and I would love to be a part of something that people universally love as a piece of film. Sure. Of course I would. And I would love to take acting lessons, and see that side of it someday. But I’m a musician. These two films I’ve done, I’ve done because even though they’re very different, they’re kind of loose and they seemed interesting. I felt like they were just another way to be creative, both at times in my life and career where I’ve been a little burnt out on doing what I do. So they both kind of have had a similar placement for me.
AVC: I’ll be honest, it’s not one of my favorite Wong Kar-wai movies.
NJ: Oh, mine either! [Laughs.] You know, whatever. [Laughs.]
AVC: Wong was clearly working out of his element, and without a lot of his regular collaborators.
NJ: Exactly. And I think for him, the language barrier—he speaks great English, but I think things are always more poetic on subtitles, so… [Laughs.] But I still loved making the film. I loved working with him. And I also loved, just visually his films are so beautiful. That one was no exception. And that was just really fun.
AVC: And whatever else, you get to—
NJ: I get to be pretty. If you’re a female and you get asked by someone who shoots the most beautiful female scenes to be in their film, it’s kind of exciting. [Laughs.] You know? I don’t usually look good like that, so—
AVC: There’s a lot of anticipation for all Wong Kar-wai’s movies, and that inevitably leads to disappointment sometimes.
NJ: He just has such a cult following. And I think, of course, if he’s going to make a movie in America with some famous movie stars, he’s going to get jumped on no matter what. It was great, though. It was really fun. I mean, some of the actors I got to work with, that was a great acting lesson right there. Watching them take what they were given, which was probably not traditional for what they do either. Even though I was out of my element, I felt like everyone kind of was in that film, which made it interesting from my perspective.
http://www.avclub.com/articles/norah-jones,42847/
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