Tuesday, 24 August 2010

Bruce Leung Siu Lung to appear in The Grand Master


Martial arts actor Bruce Leung Siu-lung aka Bruce Liang (Gallants, Kung Fu Hustle) confirmed in an interview that he would be starring in The Grand Master.

CSB: You’ve done a lot of comedies since your comeback. Do you want to tackle some more dramatic roles?
Bruce Leung: Since Kung Fu Hustle, I’ve actually done 12 or 13 films in all different genres, not just comedies. I’m actually going to go to Shanghai to shoot a film with Chow Yun-Fat that does not require me to do any martial arts. And there is another one with Tony Leung Chiu-Wai. I will also be in Wong Kar-Wai’s movie about Ip Man, playing one of the masters.

http://www.cinemastrikesback.com/?p=2681

Wednesday, 21 July 2010

Song Hye Kyo on a Taiwanese talk show

In a recent appearance on a talk show in Taiwan, actress Song Hye Kyo discussed some recent events in her life, saying she has been filming for Wong Kar Wai’s The Grand Master (一代宗師). “I’m putting in a lot of effort and always learning new things on the scene.” She also added, “It’s not easy, but I get a lot of help from people around me.”Song plays the lead role The Grand Master (一代宗師), directed by auteur-director Wong Kar Wai, and is currently busy filming alongside such renowned actors as Tony Leung, Zhang Ziyi, and Chang Chen.

http://en.korea.com/blog/enter/movie/song-hye-kyo-on-a-talk-show-in-taiwan-keeps-remains-silent-about-hyun-bin/
http://www.tvdaily.co.kr/read.php3?aid=127951718773996002

Thursday, 8 July 2010

Norah Jones on My Blueberry Nights

Norah Jones has a small role in upcoming film 'Wah Do Dem'.
She talks a bit about starring in My Blueberry Nights in an interview with The AV Club:

AVC: The reception for My Blueberry Nights was pretty rough, and some of the reviews singled you out for your inexperience. Did you have any sort of trepidation about going in front of the camera again?

NJ: No, I don’t. I think I did what I was supposed to do in that film, because the director… There was nothing to prepare for. There was really no script to prepare with. He instructed me very explicitly to not take acting lessons. He likes to place his actors or whoever they are, whether they’re actors or not—you know, whether I was good or bad, or whether people liked it or not, I had a great time. I love film, and I would love to be a part of something that people universally love as a piece of film. Sure. Of course I would. And I would love to take acting lessons, and see that side of it someday. But I’m a musician. These two films I’ve done, I’ve done because even though they’re very different, they’re kind of loose and they seemed interesting. I felt like they were just another way to be creative, both at times in my life and career where I’ve been a little burnt out on doing what I do. So they both kind of have had a similar placement for me.

AVC: I’ll be honest, it’s not one of my favorite Wong Kar-wai movies.

NJ: Oh, mine either! [Laughs.] You know, whatever. [Laughs.]


AVC: Wong was clearly working out of his element, and without a lot of his regular collaborators.

NJ: Exactly. And I think for him, the language barrier—he speaks great English, but I think things are always more poetic on subtitles, so… [Laughs.] But I still loved making the film. I loved working with him. And I also loved, just visually his films are so beautiful. That one was no exception. And that was just really fun.

AVC: And whatever else, you get to—

NJ: I get to be pretty. If you’re a female and you get asked by someone who shoots the most beautiful female scenes to be in their film, it’s kind of exciting. [Laughs.] You know? I don’t usually look good like that, so—

AVC: There’s a lot of anticipation for all Wong Kar-wai’s movies, and that inevitably leads to disappointment sometimes.

NJ: He just has such a cult following. And I think, of course, if he’s going to make a movie in America with some famous movie stars, he’s going to get jumped on no matter what. It was great, though. It was really fun. I mean, some of the actors I got to work with, that was a great acting lesson right there. Watching them take what they were given, which was probably not traditional for what they do either. Even though I was out of my element, I felt like everyone kind of was in that film, which made it interesting from my perspective.

http://www.avclub.com/articles/norah-jones,42847/

Saturday, 26 June 2010

Casting call for The Grand Master

As I suspected filming on "The Grand Master" continues.
Credit to: http://www.soompi.com/

Here's a casting call for hiring supporting actors/actresses for the film:

*Auditions for a maid, to start filming end June / early July, accommodation will be provided.
Audition to be held on 9 June.
Age: either 13-18 or 25-30.

*4 replacements for Tony Leung, Zhang Ziyi, Chang Chen and Song Hye-kyo, as well as a number of actors for portraying students.
The audition is on 13 June.

http://www.gzucjob.com.cn/showjob.asp?id=1425
http://www.soompi.com/

Julian Cheung in The Grand Master

Actress Anita Yuen Wing-yi spoke about her husband Julian Cheung Chi-lam's involvement in "The Grand Master".
She said that he has become much thinner because he was busy with Wong Kar-wai's new film.
She said, "I don't know what Wong Kar-wai told him. Now whatever he eats he has to weigh first and always work out until very late. His weight loss process seems to reach obsession level. He shrinks down day by day and I swell up day by day. I don't even know what role he is playing. When I called the film company to ask, they said it was none of my business."

http://ent.zjol.com.cn/05ent/system/2010/06/26/016711781.shtml

Friday, 25 June 2010

ITMFL on Empire’s 100 Best Films of World Cinema

British magazine Empire picked the 100 Best films not in the english language.
Wong Kar-wai's "In The Mood For Love" was ranked at number 42.

The entry:

Why so great?
Wong Kar-wai's achingly romantic account of star-cross'd lovers has a strong claim to be the best-looking film you'll ever see. The '60s costumes, neon cinematography from genius DoP Christopher Doyle and unspeakably gorgeous cast will catch the eyes while the tale of two neighbours, who discover that their spouses are cheating on them and fall in love with one another while trying to deal with the revelation, tugs the heartstrings. Melancholic, perhaps, but as inspirational as Yo-yo Ma's bittersweet performance of the score. 
Hollywood remake?
Not quite, but the film has been riffed on in Lost in Translation, which lifted its famous whispered goodbye from a similar scene here. 
Prizes
No Oscar nomination, but a BAFTA nod and wins at the Césars and Cannes to soften the blow.
http://www.empireonline.com/features/100-greatest-world-cinema-films/default.asp?film=42

The top 10:
1. Seven Samurai
2. Amelie
3. Battleship Potemkin
4. Bicycle Thieves
5. Pan's Labyrinth
6. Battle of Algiers
7. City of God
8. The Seventh Seal
9. The Wages of Fear
10. Spirited Away


The full list: http://www.empireonline.com/features/100-greatest-world-cinema-films/

Thursday, 24 June 2010

Happy Together and Fallen Angels double feature in Tribeca

To celebrate the Blu-ray and digital re-releases of Happy Together and Fallen Angels, courtesy of Kino Lorber, 35mm prints of these two films will be screened back-to-back in downtown Manhattan on Thursday July 22 at the 92Y Tribeca.
Two-for-one tickets.
Apparently there will be freebies and giveaways included as well.

More details:
http://www.92y.org/shop/92Tri_event_detail.asp?category=92Tri+92YTribeca+Film888&productid=T-MM5FJ44

Wednesday, 23 June 2010

Lunar New Year release for The Grand Master?

Wong Kar-wai's "The Grand Master" is said to have completed filming and is now entered the editing phase. Ultimately, Brigitte Lin did not make a comeback appearance. Zhang Ziyi's role is said to be that of a female killer/assassin. Zhao Benshan and Song Hye-kyo also appear.
The film began shooting in Guangdong last November and has been shrouded in secrecy. A Lunar New Year opening is still anticipated despite some delays.

It will compete against four powerhouse films: Chen Kaige's Zhao's Orphan, Zhang Yimou's Love Under the Hawthorne Tree, Jiang Wen's Let the Bullets Fly and Feng Xiaogang's You Are the One 2.

http://ent.sina.com.cn/m/c/2010-06-22/10312994107.shtml

Thursday, 10 June 2010

Tony Leung's latest Weibo message

Tony Leung posted a message on his Weibo account regarding The Grand Master.
When asked when filming will be completed, his answer was "hope we can finish be4 christmas".

http://t.sina.com.cn/n/梁朝偉
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